MADA Monash University Industrial Design graduate exhibition 2012
Designer: Anthony Farnell
Project: L1FE Concept
There are a lot of jaw-dropping
concept cars out there. Unfortunately more often then not, they’re far
too insane to ever see the light of day in any automaker’s lineup. But
sometimes, a concept car comes along that literally drops our jaws, and still has enough meat on the bone to where we could see it actually being produced.
The latest iteration of handsome
automotive fantasy comes from an Australian designer by the name of
Anthony Farnell. Farnell’s L1-FE concept garnered a number of accolades,
including a feature at the Melbourne Grand Prix a few years back. So in
order to learn more about this radical design, we reached out to ask
Anthony a little more detail exactly what this design was all about.
Having a passion and obsession with all things automotive since
childhood lead to a strong interest towards the nature of motorsport. In
light of recent years, having taken a particular notice to the emerging
form of motorsport ‘Time Attack Racing,” I was drawn to the radical
styling that had been applied to the top competitor vehicles, virtually
aerodynamically driven with minimal styling intent. This approach
inspired and fueled the purpose of designing a vehicle that incorporated
radical aerodynamic visuals with clean fluid-like surfacing.
The overall design process from initial concept generation through to
final presentation was spread across a 14-week period. Although prior to
commencing the design process, an extensive 6-week research period was
undertaken.
One of the more challenging aspects of this concept was designing the
exterior to not only appear radical within the realm of a race circuit,
but to also visually be suitable for public road use. This was overcome
by incorporating detachable panels to separate the two uses.
The face of the vehicle was an interesting challenge, being the most
visually prominent aspect it was important to not lose sight of the
theme and nature of the design. The ongoing process of clay sculpting
and sketching enabled the form to take shape and really refine the
aggressive character that was being expressed.
In current search for a position as a Digital Sculptor, my focus on
current and future projects are more geared towards production and
concept surface modeling. So you will be sure to see more of my work in
the future!
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